Deciding how to evaluate a project done in hypertext is probably the
most difficult aspect of the peer tutorial involving this type of writing.
Since hypertext is so new to the academic world, few students know what
makes a good or bad web page. Obviously, students should not clutter their
web site with so many graphics that they overshadow the true content, but
what are the other standards? Today many sites are emerging on the Internet
that may be able to help tutors with this problem. One site that I found
while working on this project was the Yale
Center for Advanced Instructional Media Web Style guide. This site provided
tips on selecting designs for a variety of project types. Two fundamental
variables that were suggested in creating a web site were how linear the
hypertext will be and the typical user contact time. Contact time tends
to vary with the amount of interaction available and the number of links
within a web page.
It is important for the tutor to make sure the writer has defined who
he or she will address in the hypertext project. As mentioned in the Yale
Style Guide, academic sites usually have more defined purposes than other
sites. The tutor should check to make sure that the writer's hypertextual
work agrees with the assigned purpose given by the professor. It is extremely
easy to become swayed in a different direction when setting up a web site
because there is so much information readily available. Writers may need
to narrow their topics down several times before they reach a level of information
which is manageable. Tutors must be aware of those students who provide
tons of links to outside resources, but lack in their own conclusions. If
the writer's work spreads out in too many directions it is unlikely that
it will cover anything in great depth.
Links are the culprits of many of the problems related to the scope of
a student's project. The Yale C/AIM Web Style Guide noted that although
links are powerful tools on the Web, they could also become a distraction.
If readers decide to click on all of the links in the hypertext, they may
lose the flow of what the author is trying to say. In our English 376 class,
we compared links to the "Choose Your Own Adventure" books that
we would often read in grade school. It is possible to follow several different
paths, but a complete story should be told. A good academic web site should
also provide this sense of a central theme holding many parts of a story
together. Links provide many options and extensive pools of information
for the reader to indulge in, but the writer's message could become lost
if the hypertext is not designed carefully. One option that tutors can suggest
to writers who are losing their message is to place most of the links on
a separate page under appropriate subheadings. The Yale C/AIM Web Style
Guide also mentioned that a table of contents or index of links many help
readers to navigate through a writer's hypertext. However a writer decides
to set-up his or her page, it is important that the links work well and
are easy to find.
Since hypertext can take so many forms, it is helpful for tutors to recognize
a few of the styles that can be used. Some web sites may be extremely linear
and straightforward in their presentation. Links can actually limit the
directions that a reader can take. The reader may only have the option of
going forward to a specifically designated page or back to the one previously
visited. This type of web site ensures that the browser will not wander
off in the presentation. A second type of hypertext has a very strong body,
but the readers then have the ability to diverge in a number of directions
depending on what interests them. A third type has a definite non-linear
design and is highly interactive. This style usually covers a much broader
range of topics than a linear structure would. There are any number of additional
examples that could be added to this list, but this gives a basic idea of
possible web site structures.
Although it was mentioned earlier that web sites should not be cluttered
with graphics, most likely a hypertext project will contain at least a few
of them. In fact, this is the very nature of hypertext. Hart-Davidson mentions
in his article, What
Dis'course About? Arguing CMC into the Curriculum, that writing
on the Internet can be done, "not just by linking items in a database
or conversing online, but by integrating words with pictures, moving as
well as still, and sounds" (1). If tastefully chosen graphics can enhance
a student's writing in more ways than merely the appearance. They may even
help to explain the site's topic. It is challenging for tutors to evaluate
graphics because there are no rules for applying them, as there are grammar
and structural rules in the linear essay. Having a few dispersed graphics
to brighten a site's content seems the best bet in academic hypertext.
Another aspect of hypertext that tutors should be aware of is the response
that a project may generate. With this form of writing, the intended audience
takes central importance. The tutor may find it helpful to ask the writer
a few questions. Does the site attract those readers who would be most interested
in the material? Is there an e-mail address for browsers to contact the
writer? Hypertext is meant to be an interactive form of communication, and
readers should be encouraged to respond to the writer's message. Students
who only consider one side of an issue are actually defeating the purpose
of hypertext. Another question to consider is whether accurate citations
are made. Avoiding copyright and plagiarism become extremely important when
setting up a site that millions of Internet browsers may see. Crump and
Carbone, authors of English Online, talk of a student who is using a published
poem in his or her essay. They say, "if the student puts the essay
on the Internet, perhaps as part of a collection of class essays, the poem
will in effect be published" (146).
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