Core 101-102, Dr. Essid
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Essid's Rhetorical and Grammatical Pet Peeves


Despite its name, this list is not that unique. The list may be unusual in that I have published it; most writers learn about their professors' likes and dislikes through the hard knocks of getting a marked paper back. Most Richmond students are decent writers, but they are very careless. Get ready to be careful.

I am no grammatical purist; even careful writers will make occasional mistakes. That said, it is safe to say that each item below reflects the tastes of other faculty members with whom I have spoken or who have sent students to the Writing Center. For those reasons, most of what appears here will help you in other classes.

No paper with these errors will earn a grade of "A" in any of my classes. You also will not fail for these "peeves" alone, though if you were a real doofus about it and deliberately put ALL of them in a paper just to yank my chain, I would give you a D, gleefully. Consider my peeves "A-breakers and C-makers." For that reason alone, I recommend that you know this list and use it when writing for me. Incidentally, your avoiding these big and little gaffs will keep me from kicking my cats, squirting my neighbors' annoying dog with the hose, or pulling out my remaining hair. Thanks!

A GIGANTIC hint: Read your final draft ALOUD. You will be surprised by the number of errors you catch! If you are still unsure about your work, have a friend read it aloud to you. If someone calls you a dork for doing this, kick him or her and continue reading aloud.

My list, with links!

Rhetorical & Structural Peeves: Unsupported assertions, plot summary, awful beginnings
Sloppy Language Peeves: "Center around," "irregardless," & other misused words
Stylistic Peeves: Overused words/phrases, thesaurus-speak and cliches
Careless, Silly, or Utterly Avoidable Peeves: A big, fat collection to learn. Get started

Rhetorical & Structural Peeves:

Unsupported Assertions: Perhaps the biggest mistake that you could make in writing for me. No, I do not expect you to cite every possible source and datum for an assertion. Just be forewarned that your unsupported opinion is not welcome while writing for me, unless an assignment asks for that.

Plot Summary: A curse in Core and literature classes. Your audience--the teacher and the other students in class--know the stories in the reading. That said, many students think that summary is analysis--not so. Read the page on analysis in Writer's Web to review this idea.

The "Dictionary" Intro: Most college teachers have read, and gnashed their teeth over, papers that begin "Webster's defines X as. . . ." This is a pit into which many freshman writers stumble. Please do not write this way in college. It was a handy tactic in high school, but it is as rotten as Noah Webster's cadaver now. It drives most college professors insane (you may enjoy this...).

The "March of History" Intro: Almost as rotten--avoid any papers that begin with "In history's panorama, one truth is. . ." or "In the textures that make up the tapestry of English Literature. . . ." Dr. Zaius spoke that way when he read from the Sacred Scrolls in (the original) Planet of the Apes. These types of introductions work in epic film, but not in college essays. Cut them and cut to the chase, please.

Sloppy Language Peeves:

"Center Around": That should be "center on." Think about the verb "center" for a moment. Things "circle around" or "revolve around" or even "cluster around." But "center" implies a center point, even when we talk about a general area such as "the center of town." Some professors are not bothered by this. I will make them pay one day. . .they'll have to fix split infinitives until they agree with me...hahahahahahahahaha

"Comfort Zone": A recent additon that I HATE partly because it sounds so wimpy, second because it reflects too many students' desires never to take intellectual or social risks. Use it and lose credit with me!

"Irregardless": This is the Paris Hilton of our language: everywhere, obnoxious, stupid. Please use "regardless." Think about what "irregular" or "irrational" mean. "Regardless" already means "without regard to": "irregardless," by its nature, is redundant.

"Novel": Only a book-length work of fiction is a novel. Using the term for other works (nonfiction, collections of short stories, memoirs, works of history, philosophy, and the like) will lose you a full +/- grade before I assess any other penalties. This is one of the most awkward student mistakes of all, and it is very common. AVOID it.

"-wise" Suffix: Why do the bubble-heads on TV say "Weatherwise, we're going to have a hot day"? Why does the car dealer tell you "Pricewise, this 9000 SUX is the best buy on the market"? Although I would enjoy watching many newscasters being lashed on television, there is a plausible reason for these abominations: the need to compress language to fit into a script or into advertising copy. This usage is not grammatically incorrect, since language can change to accommodate it. The usage is, however, too informal and too cliched for academic writing. Avoid it like the Bubonic Plague.

Other Misused Words: Don't let the list on the Web overwhelm you, but I will mark these words and teach you how to use them correctly. Repeated misuse after we work on these problems will lower paper grades.

Stylistic Peeves:

Overused Words and Phrases: A faculty mentor once told me to stop using the verb "posit." Do you have any well-worn phrases that you love? There is no hard-and-fast rule, but vary your language!

Thesaurus-Speak and Cliches: If you think that you can vary your language by finding synonyms in a thesaurus, be careful. If you really understand how to use the synonym in context, this method can actually expand your vocabulary. If not, you end up with this:

Original: "The novel has a lantern-jawed, two-fisted protagonist, Buck Buckaw. This man's man of a protagonist must overcome the difficulties of life in Alaska. This wild region challenges the protagonist until he reaches his wit's end."

Thesaurus-Speak: "The novel has a male lead, Buck Buckaw, who. . ."

If we were talking about a film, the substitution might work. Since the work under discussion is a novel, "male lead" is not an acceptable term.

Better Revision: "The novel's protagonist, Buck Buckaw, must overcome the difficulties of life in Alaska. Despite the hero's great strength and courage, the wild region challenges him until, finally, he snaps."

I not only revised the referent to Buck, but I also removed the comic-book descriptions of Buck (a host of moldy cliches) from both sentences.

More reading about cliches

Careless, Silly, or Utterly Avoidable Peeves:

"It's, Its": Mrs. Grundy would clobber you for this. So will I. I do not care if I lose this battle, but I will stand my ground until someone invents a better rule. "It's" means "it is" while "its" is the possessive form of "it." It's quite easy to put the correct word in its place, once you have the hang of it. Got it?

Apostrophes: With the exception of "it's," they indicate possession, as in "John's new car." They can also show contraction, as in "I'm a lumberjack and I'm okay." They NEVER mean plural as (incorrectly) in "Ten car's parked on my street."

"Their, They're, and There": Just remembering "here and there" will keep you out of most trouble. "They're" means "they are" and "their" is the possessive form of "they."

Subject/Verb Agreement Errors: Read your sentences carefully. Usually the subject gets too far from the verb because prepositional phrases intervene: "The author's treatment of grammatical skills bore the general reader." That should be "bores," but the verb has gotten far from the subject, "treatment".

More reading about subject-verb agreement

Misspelling the Names of People and the Titles of Books. This is a terrible mistake; how many of you would like to see your own name misspelled in a publication? All you need to do to avoid this problem, when writing papers for me, is to SLOW DOWN. Check the sources you use to get the authors' names correct (your spell check is not going to help, here). The titles of the works are very important, too. Reproduce them exactly.

"Gendered" Language: Guys, get over it. I'm not trying to be Mr. "Politically Correct" here, but it irks me to always see the singular pronoun as "he" or "his." You smirk, but wait until you write a cover letter one day--I dare you to begin with "Dear Sirs." Since the world has changed, here is how to avoid gendering your work: make things plural whenever you can. "Students should research their options before choosing a college or university" works just as well, and is more inclusive than "A student should research his options before choosing a college or university." If you cannot figure out a clever way to do this, rewrite the sentence.

Incomplete Sentences, a.k.a. "fragments": Sometimes these can be used for dramatic effect: "An hour passed. Passed slowly as melting butter. The cop yawned. Slow day, he thought. He did not see the shadow at the door."

Most of the time, however, all sentences in academic prose need a subject and predicate. Simply put, do not use fragments. If a sentence does not sound right, all by itself, when read aloud, it needs fixing. Here is the test: how would you feel if someone walked up to you, said "passed slowly," then walked away without another word? See the Writer's Web page on the topic for more information.

Comma Splices: Occur whenever a comma either: fuses two complete sentences without a connecting word; fuses a complete and an incomplete sentence.

Example: "It is a big car, there is room for everyone."
Revisions: "It is a big car; there is room for everyone." or "It is a big car, so there is room for everyone."
Example: "It is a big car, and fast too."
Revisions: "It is a big car, and it is fast too." or "It is a big, fast car."

Example: "While we were out driving a tank crossed the road."
Revisions: "While we were out driving, a tank crossed the road." or "A tank crossed the road while we were out driving."(it is clear to the reader what you were driving!)
More reading about comma usage
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